Edmund Kealoha "Ed" Parker (March 19, 1931 - December 15, 1990) was an American martial artist.
Maps, Directions, and Place Reviews
Life
Parker was born in Hawaii in 1931 and began training in the martial arts at a young age in judo and later boxing. Sometime in the 1940s, Ed Parker was introduced to Kenp? by Frank Chow, who then introduced Parker to William Chow, a student of James Mitose. Parker trained with William Chow while serving in the Coast Guard and attending Brigham Young University, and in 1953 he was promoted to the rank of black belt. Parker, seeing that modern times posed new situations that were not addressed in Kenpo, adapted the art to make it more easily applicable to the streets of America. He called his adapted style American Kenpo Karate.
Success and Students
Parker opened the first "Americanized" karate school in the western United States in Provo, Utah, in 1954. By 1956, Parker opened a dojo in Pasadena, California. His first brown-belt student was Charles Beeder. There is controversy over whether Beeder received the first black belt awarded by Parker. Beeder's son has stated for the record that his father's black belt came after Ed Parker had moved to California. The other black belts in chronological order up to 1962 were Rich Montgomery; James Ibrao; Mills Crenshaw, whom Parker authorized to open a school in Salt Lake City, Utah, in late 1958 (which later became the birthplace of the International Kenpo Karate Association, or IKKA); Tom Garriga; Rick Flores; Al and Jim Tracy of Tracy Kenpo; Chuck Sullivan; John McSweeney; and Dave Hebler. In 1962, John McSweeney opened a school in Ireland, which prompted Parker to give control of the Kenpo Karate Association of America to the Tracy Brothers and form a new organization: the International Kenpo Karate Association.
Parker was well-known for his business creativity and helped many martial artists open their own dojos. He was well-known in Hollywood, where he trained several stunt men and celebrities--most notably Elvis Presley, to whom he eventually awarded a ninth-degree black belt in Kenpo. He left behind a few world-renowned grand masters: Al Tracy, head of the world's largest system of Kenpo; Bob White; Huk Plana; Larry Tatum; Ron Chapel; and Frank Trejo, who runs a school in California. Parker helped Bruce Lee gain national attention by introducing him at his International Karate Championships. He served as one of Elvis Presley's bodyguard during the singer's final years. He is best known to Kenpoists as the founder of American Kenpo and is referred to fondly as the "Father of American Kenpo." He is formally referred to as Senior Grand Master of American Kenpo.
Hollywood Career
Parker had a minor career as a Hollywood actor and stunt man. His most notable film was Kill the Golden Goose. In this film, he co-stars with Hapkido master Bong Soo Han. His acting work included the (uncredited) role of Mr. Chong in student Blake Edwards' Revenge of the Pink Panther and again in Curse of the Pink Panther. He was one of the instructors of martial arts action-movie star Jeff Speakman, and Parker assisted with the fight choreography of Speakman's film The Perfect Weapon, which was released in 1991, shortly after Parker's death.
Parker can be seen with Elvis Presley in the opening sequence of the 1977 TV special "Elvis in Concert." Parker wrote a book about his time with Elvis on the road.
Death and Intellectual Property
Edmund K. Parker died in Honolulu of a heart attack on December 15, 1990. His widow Leilani Parker died on June 12, 2006. Of their five children, his son, Ed Parker Jr., founded his own self-defense system: Paxtial Martial Arts. Parker's four daughters--Darlene Parker Tafua, Beth Parker Uale, Yvonne Parker Autry and Sheri Parker Pula--are joint officers of Ed Parker Sr.?s Kam IV Inc, the family business, formerly known as Ed Parker Enterprises (including Ed Parker?s American Kenpo Karate Studios, International Kenpo Karate Association [IKKA], International Karate Championship Tournament, and DELSBY publications), which was turned over to them prior Leilani Parker?s passing in May 2006. Kam IV Inc. holds the exclusive legal rights to all of Ed Parker Senior?s Intellectual Property.
Ed Parker Kenpo Karate Video
Parker's training
Ed Parker's father enrolled his son in Judo classes at the age of twelve, and Parker received his Shodan in Judo in 1949 at the age of eighteen. After receiving his brown belt in Kenpo, he moved to the US mainland to attend Brigham Young University, where he began to teach martial arts. Mr. Parker's kenposhodan diploma is dated 1953.
During this period, Parker was significantly influenced by the Japanese and Okinawan interpretations prevalent in Hawaii. Parker's Book Kenpo Karate, published in 1961, shows the many hard linear movements, albeit with modifications, that set his interpretations apart.
All the influences up to that time were reflected in Parker's rigid, linear method of "Kenpo Karate," as it was called. Between writing and publishing, however, he began to be influenced by the Chinese arts, and included this information in his system. He settled in Southern California after leaving the Coast Guard and finishing his education at BYU. Here he found himself surrounded by other martial artists from a wide variety of systems, many of whom were willing to discuss and share their arts with him. Parker made contact with people like Ark Wong, Haumea Lefiti, Jimmy H. Woo (who developed many of the American Kenpo forms still used today), and Lau Bun. These martial artists were known for their skills in arts such as Five Family Fist Kung Fu, Splashing-Hands, San Soo, T'ai Chi, and Hung Gar, and this influence remains visible in both historical material (such as forms that Parker taught in his system) and current principles.
Exposed to new Chinese training concepts and history, he wrote a second book, Secrets of Chinese Karate, published in 1963. Parker drew comparisons in this and other books between karate (a better known art in the United States at that time) and the Chinese methods he adopted and taught.
Skepticism of Parker's claims
After Parker's death, some martial artists have begun to question the authenticity of Parker's training and qualifications. Dan Djurdjevic's article "What did Ed Parker Study?" suggests that Ed Parker was not actually a master-level martial artist by the early 1960s but developed an undeserved reputation as a master at a time when the American public had little knowledge of authentic martial arts and were unable to verify his claims.
Djurdjevic's article includes links to footage of Parker appearing on Lucille Ball's "The Lucy Show" in 1963, when Parker was already the head of the Kenpo Karate Association of America. In the footage, Parker demonstrates some Karate-type movements, but makes what Djurdjevic claims to be fundamental mistakes in demonstrating front kicks--lacking hip involvement and incorporating a flailing arm movement and demonstrating an uncoordinated and off-target spinning back kick. Parker also demonstrates a seemingly uncoordinated finishing move involving a jump behind a prone opponent, a twisting motion to the head, flailing arm movements, and an uncoordinated close-range kick to the head, a sequence that he would use throughout his career. The same moves appear in 16mm footage from the 1960s, as well as in Chilean television footage from the 1980s, including a repetition in the Chilean footage where Parker slips and falls over during the jump behind his prone opponent. Djudjevic's website also links to 16mm footage from the early 1960s that appears to show Parker at a relatively elementary level of skill in the martial arts at this point, rather than the master-level instructor that would be expected from his claims.
Bibliography
- 1960, Kenpo Karate: Law of the Fist and the Empty Hand. Delsby Publications ISBN 0-910293-47-3
- 1963, Secrets of Chinese Karate. Prentice-Hall ISBN 0-13-797845-6
- 1975, Ed Parker's Guide to the Nunchaku ISBN 0-86568-104-X
- 1975, Ed Parker's Kenpo Karate Accumulative Journal. International Kenpo Karate Association.
- 1978, Inside Elvis. Rampart House ISBN 0-89773-000-3
- 1982, Ed Parker's Infinite Insights into Kenpo, Vol. 1: Mental Stimulation. Delsby Publications ISBN 0-910293-00-7
- 1983, Ed Parker's Infinite Insights into Kenpo, Vol. 2: Physical Analyzation I. Delsby Publications ISBN 0-910293-02-3
- 1985, Ed Parker's Infinite Insights into Kenpo, Vol. 3: Physical Analyzation II. Delsby Publications ISBN 0-910293-04-X
- 1986, Ed Parker's Infinite Insights Into Kenpo, Vol. 4: Mental and Physical Constituents. Delsby Publications ISBN 0-910293-06-6
- 1987, Ed Parker's Infinite Insights Into Kenpo: Vol. 5: Mental and Physical Applications. Delsby Publications ISBN 0-910293-08-2
- 1988, The Woman's Guide to Self Defense
- 1988, The Zen of Kenpo. Delsby Publications ISBN 0-910293-10-4
- 1992, Ed Parker's Encyclopedia of Kenpo. Delsby Publications ISBN 0-910293-12-0
Source of the article : Wikipedia
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